Writing

Kate McCrickard was a regular contributor to the American global journal ideas, Art in Print. She wrote a monograph on South African artist, William Kentridge for the Tate Modern Artists series in 2010. She has also contributed to Print Quarterly, Art South Africa and exhibition catalogues for Hayward Touring, London, Thames and Hudson and the Royal Scottish Academy, Edinburgh.

Selected Writin­­g

Drawing from Life on Via dei Seragli, catalogue essay for the Royal Scottish Academy, Edinburgh on the occasion of John Kinross at 40 exhibition, 2020/21

The Bark and the Bite: Marcelle Hanselaar, catalogue essay for retrospective print exhibition at De Queeste Gallery, Belgium, 2020/21

New Editions Review: Rashid Johnson, Sean Scully, Jasper Johns, Teresita Fernandez, Dasha Shishkin, 2019, Art in Print.

Monotype Melody, Julie Mehretu and Tacita Dean, Marian Goodman Gallery, Paris, Art in Print, Exhibition Review, 2019

Mind the Gap, Please: The Watermark in Contemporary Printmaking, Art in Print, November 2018

An American in Paris, Review of Michael Woolworth retrospective, Centre de la Gravure et de l’Image Imprimée, Belgium, Art in Print, March 2017

William Kentridge, Drawing has its Own Memory, Art in Print, January 2017

Cécile Reims, Engraving for Herself and Others, Art in Print, July/ August 2016            

Details: Jacques de Bellange, The Madonna and Child with Distaff and an Angel, Art in Print, January 2016

The Distant North of Luc Tuymans, Exhibition Review: Suspended – L’Oeuvre Imprimé (1989-2014), Art in Print, July 2015

Djamel Tatah in the Atelier, Exhibition Review, Art in Print, July 2014

Hieronymus Cock: The Renaissance in Print, ParisInstitut Néerlandais, Exhibition Review, Art in Print, March 2014

Welcome to the Jungle: Violence Behind the Lines in three suites of prints by Dasha Shishkin, Art in Print, January 2014

William Kentridge: Fortuna, Thames and Hudson, 2013 (Lilian Tone)

Cécile Reims: A Plea for Print, Print Quarterly, January 2013

Microtate: Reflection on a Work from the Tate Collection, Tate Etc. magazine – Issue 26, Autumn 2012

William Kentridge Prints, Interview with the artist, Hayward Touring, 2012

William Kentridge, monograph, Tate Modern Artists, 2012

Eileen CooperShowing Off,‘Striptease’, Art First London, catalogue essay, 2011

Gary Schneider, Hand-Made Aesthetics, Art South Africa Quarterly, 2011

Santu Mofokeng, Eyes Wide Shut, Art South Africa Quarterly, 2011            

Nnenna Okore, Waste Management - Things Torn Apart, Art South Africa Quarterly, 2011

Gary Schneider, Private Parts: An Anthology of Fragments, 2011, David Krut Publishing, 2011

Paul Stopforth, ‘Exile on Main Street’, Taxi Art Books South Africa, 2009

William Kentridge Flute, ‘I am the Birdcatcher’, David Krut Publishing, 2007

El Anatsui, Asi, Interview with the artist, October Gallery, 2006